These are the notes that give the whole tone scale its unique, "dreamlike" sound. For example, every second and third is major, every fourth is a tritone, and every sixth and seventh is minor. Within this group of notes we get some notes straight from the G7 chord 1, 3 and b7. The principle of relating chords to scales is essentially quite simple: Any chord made entirely from scale tones (and not having any notes from outside the scale) is related to the scale, and is likely to suit a piece of music written in the scale. The whole tone scale is somewhat uncommon, and is often only used for short … For: C ocarina | G ocarina (click on the score to view exercises for any scale; see also Wikipedia) One-octave C Whole-tone scale . Whole Tone Scale 21. T------------------------------------ … As a result, there are major triads and minor triads. The simplest one is to play it over a dominant seventh chord. However, the whole tone scale has 6 notes that are all a whole step apart, making its intervallic formula easy to remember - W-W-W-W-W-W. Minor Pentatonic 11. Chords that fit in this scale: Normal Triads: C#aug D#aug Faug Gaug Aaug Baug. You see, a whole-tone scale (A scale made of all whole-tones) only has three possible intervals (excluding inversions). Diminished triads can be found within the diminished scale (as well as major and minor scales). The Chromatic Whole Tone Scale is a great alternative to use over the diminished scale due to the fact of it having a lot more triad combinations. Going from an Eastern-flavoured semitone – tone feel to … Whole-tone scale, all keys. All triads are augmented. It’s an eight note or octatonic scale that alternates between half-steps and whole-steps. Also fine: augmented triads (as long as they don’t imply a major 7.) Augmented Triads The first part of the definition says, ‘…a collection of three…’ Scale 1365: Whole Tone: Scale 1363: Gygimic: Scale 1371: Superlocrian: Scale 1375: Bothyllic: Scale 1351: Aeraptimic: Scale 1359: Aerygian: Scale 1383: Pynian: Scale 1399: Syryllic: Scale 1303: Epolimic: Scale 1335: Elephant Scale: Scale 1431: Phragian: Scale 1495: Messiaen Mode 6: Scale 1111: Sycrimic: Scale 1239: … The Wholetone Scale, as the name implies, is made up exclusively from whole tones. Diminished Scale 22. The same triads that exist in the whole tone scale also exist in the melodic and harmonic minor scales. Diminished 7th Arpeggio 23. If we take C7 Well that voicing doesn’t have a fifth in it, but if we put in a fifth in it and we augment it - we sharpen it, then the whole tone scale is an appropriate scale to play with it. Some also refer to this as the double diminished scale because it can be conceptualized as alternating between two diminished arpeggios (C, Eb, F#, A and C#, E, G, Bb). Altered Scale 19. E-flat Whole-tone scale . I’ve found that by conceiving of it both in augmented triads and with chromatic passing tones it becomes a little less obviously “whole tone”. C-sharp Whole-tone scale . These spread triads can help you to see the connections between the chords on the fretboard. D Whole-tone scale . The whole tone scale consists of a succession of notes in fixed whole step intervals from a given note to its octave. This simple melody ascends using augmented triads grouped in threes and descends … Please permit me to refresh your mind on the whole tone scale before we proceed. Pattern Repetition in the whole-tone scale is especially pronounced. A classic “dream sequence” sound, the whole tone scale is just that - all whole steps. … Augmented triads can be found within the whole-tone scale. From each scale degree, you can build these triads by alternating notes (intervals of a 3rd) within the scale. C and D Augmented Triad Pair Minor triad pairs. That doesn’t mean that you can’t put it to good use in a tonal context. Starting from C: …and moving upwards in a fixed whole step interval: C to D: D to … If we use the other voicing, the thirteenth, then we use the sharpen fifth - we take that form of it. The whole tone scale is a series of whole tones. C Whole-tone scale . scales with a unique collection notes) and then the various modes of those two scales: G Wholetone Scale = G A B C# D# F C Wholetone Scale = C D E F# G# A# Harmonic Minor 16. ... A common trick is to use major and minor triads over a pedal point, i.e. One triad is diminished. the C half-whole diminished scale and the C# half-whole diminished scale share these triads: C#dim Edim Gdim Bbdim while the C half-whole diminished scale and the B half-whole diminished scale share these triads: G Whole-tone scale … It is great to use over dominant #5 chords as long as you understand the notes you will get: 9th, #11, #5. There are two basic applications of this scale. 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